Hei tai yang 731 xu ji zhi sha ren gong chang

Posted by admin in Drama, Movies on 08 27th, 2008 | no responses
Hei tai yang 731 xu ji zhi sha ren gong chang


Category: Drama
All Genres: Drama, Horror, Thriller, War, Action
Release Year: 1992
Country: Hong Kong
Runtime: 96
Rating: 6.3 (0)
Languages: Cantonese
Director: Godfrey Ho
Sound: Mono
Taglines:

  • No cuts. More guts. The film they tried to ban!


    • Writing by: Ian Rabin - writer

    Produced by: K.P. Cheung - producer

    Cast: Gong Chu -
    Yuen-Ching Leung -
    Wan Ying Ying -
    Aldrew Yu -

    Music: Roy Webb
    Official Website: Visit Website


    Plot Outline: In the spring of 1945, Japan established a secret base, Unit 731 in Manchuria, where many innocent Chinese...
    Plot: In the spring of 1945, Japan established a secret base, Unit 731 in Manchuria, where many innocent Chinese, Korean and Mongolian people were killed in grotesque experiments. An idealistic young doctor , Morishima, is horrified by the experiments being performed in the camp and when his fiancйe arrives disguised as a Chinese prisoner he sets out to liberate the camp. A docudrama sequel to the notorious Men Behind the Sun, which pulls no punches when it comes to delivering the shocks!

    Crazy Credits: We know about 1 Crazy Credits. One of them reads:
    No animals or humans were hurt in the production of this movie with the exception of Ben Sloan the Production Trainee whose feelings were slightly hurt on one occasion.

    Goofs: We know about 3 goofs. Here comes one of them:
    Errors in geography: After a night of heavy drinking Scott orders a taxi to Kemptown (although hes standing on Marine parade, Kemptown 100yds from his flat) which drives him away towards Hove. It keeps driving west - when Scott throws up by the pier the car is driving east and stops on the spot where he entered it about half a mile east of the pier (but now "at home")

    Trivia: There are 1 entries in the trivia list - like these:

    • The uncut version was originally refused classification by the OFLC in Australia in September of 1992. One month later, the film was resubmitted, only heavily cut. It received an R18+ rating for cinema release, but when the heavily cut version was resubmitted for a video rating in 1994, it was again refused classification and banned in Australia, even though the same print was given a cinema rating. Finally, in 2004, the film was resubmitted and received an R18+ rating for the original uncut print on video.



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